迷幻少女遇(🙊)著過氣公安老(🈯)頭,未必是貓(🎏)捉老鼠累鬥(🙋)累,也可以(🍂)是從老前輩身上學會(🍀)認識(👲)自己。阿 P 為追阿初欠她(✴)的債,偶然與阿初(🤮)的外公相遇,兩個生活態度南轅北轍的人,就是這樣在荒謬的處境中相互學(🙍)習。阿P在當中看見年青(🙏)一代的無奈:(🍇)十六歲的迷途青春、(👑)愛情(🎚)的(🗡)無助、軟性毒(🛀)品的蠶食(😡)、面對父母失敗的婚姻、自己(🤛)渾噩的前途....阿初無故失蹤,又(📭)是(💗)否因抵受不了同樣(🎊)殘(💇)酷的青(📼)春?世情像玻(🤹)璃,有時看得透(📬),有時不,相同(🐶)的只是:兩者同樣冰冷易碎(🐟)。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. (🐍) Source 25th HKIFF (2001)
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